by MKAT December 29, 2003 7:16 am (No Comments)
Philip Roth’s “American Pastoral” (1997) is steeped in the same subjective brand of voyeurism as his 1959 novella, “Goodbye Columbus”. Both works unfold from the perspectives of highly conspicuous and biased narrators. Neil Klugman and Nathan Zuckerman focus on the lives of other characters, whom they admire as well as envy. Their feelings towards these antagonists assume different manifestations; one is overtly superficial, while the other is more penetrating, multi-layered and Jamesian. Ultimately, each narrator is guilty of “ressentiment,” the quality defined by the existentialist …
