It took about two seconds for me to fall for De Eenzame Snelweg, a paperback chronicle of an American journey by two young Dutch Kerouac aficionados, writer Auke Hulst and artist Raoul Deleo. The book Hulst sent me has not been translated into English (the title apparently means The Lonely Highway), but it's enough to scan and enjoy the sensitive and funny continuous cartoon strip that runs across the entire text, following a journey from New York City to San Francisco by way of Nebraska and Denver and the other usual Keroauc stops from On The Road (though, unfortunately, Hulst and Deleo don't make it to New Orleans, an essential corner in On The Road). These tourists have fun with their Kerouac -- a "Bear Crossing" road sign inspires an artistic examination of God as Pooh Bear, and I bet Jack himself would have loved the jazzy drawing of the Lombard Street Shuffle ("the world's crookedest dance") in San Francisco, where they also visit the Beat Museum. The book smoothly captures and transmits the excitement Hulst and Deleo feel as they travel in Kerouac's path. And, as the photo of the artist's rig above shows, the artwork is a scroll.
I first read Jack Kerouac's Wake Up when it was serialized in the Buddhist magazine Tricycle over ten years ago. This is an earnest, almost artless biography of Siddhartha Guatama, the sheltered prince who left his comfortable palace and became the Buddha 2500 years ago. Buddhism clearly brought out Kerouac's most reverent instincts, as the prose appears to have been carefully written and bears few marks of his signature "spontaneous" style. It's clear that Jack Kerouac felt a strong personal connection to the story of the once-spoiled wandering prince who struggled so hard to understand the meaning of desire in human existence. Wake Up, unpublished during Kerouac's life, has finally been released in book form, and seems to be more valuable than many other recent releases of unpublished Kerouac work. The book may surprise or enlighten readers who are not familiar with the spiritual aspect of Kerouac's literary mission.
The sympathetic and peace-loving Buddhist religion was always essential to the Beat Generation mindset, and it was a strong influence in the life of the magnetic and eclectic New York City semi-Beat, semi-Warholian poet John Giorno. Subdoing Demons In America: Selected Poems 1962-2007 is one of the more appealing poetry books I've seen in a while. Giorno's very approachable and casual verses remind me of the best of the short poems that often show up here on LitKicks Action Poetry. Urbane, experimental and user-friendly, they are often grounded in day-to-day experience. One poem simply contains the lyrics to the chorus of the Rolling Stones song "I Can't Get No Satisfaction" (a Buddhist plea, of course) and others seem to transcribe subway signs or the directions on a tube of suntan lotion. Unlike much of what passes for poetry these days, these sensitive, crafty verses will never leave you mystified or bored.
Three new and worthwhile Beat Generation books! 2009 is shaping up well. I'm also looking forward to catching a rare East Coast appearance by poet Gary Snyder at the New York Public Library this Saturday, January 31 at 3 pm. Gary Snyder's career is celebrated in another new book, the Selected Letters of Allen Ginsberg and Gary Snyder, which I haven't yet had a chance to read.