Intellectual Curiosities and Provocations

April 2008

Reviewing the Review: April 6 2008

"In Web World of 24/7 Stress, Writers Blog Till They Drop" warns the front cover of today's New York Times. Well, not this blogger, because I know enough to take breaks when I need them. And you should too.

This article is part of the Reviewing the New York Times Book Review series. The next post in the series is Reviewing the Review: April 13 2008. The previous post in the series is Releasing the Review: March 30 2008.


Reviewing the Review: April 13 2008

Today's cover article is on Terror and Consent by Philip Bobbitt, and it's by Niall Ferguson, who is (according to his reviewer credits) a "professor at Harvard University and Harvard Business School, a fellow of Jesus College, Oxford, and a senior fellow of the Hoover Institution at Stanford." Harvard, Oxford and Stanford. I'll tell you the honest truth -- when I hear that a critic is associated with one of these world-class institutions, I'm impressed. When I hear that a critic is associated with two of them, I'm very impressed and slightly intimidated.

This article is part of the Reviewing the New York Times Book Review series. The next post in the series is Reviewing the Review: April 20 2008. The previous post in the series is Reviewing the Review: April 6 2008.


Why I’m Playing Bongo Drums on Thursday

1. The Beat Poetry Happy Hour will take place at the Bowery Poetry Club in New York City this Thursday, April 17 from 6:30 to 7:30 pm, featuring Tao Lin, Zachary German, Clarissa Beyah Taylor, Larissa Shmailo, Joy Leftow and, of all people, me playing bongo drums. How, you may wonder, did I end up playing bongo drums? Well, it has something to do with a recent Bowery Poetry Club Beat Poetry Happy Hour I attended. A drummer was struggling a bit onstage, and I casually sauntered over to host George Wallace and said "I can play bongo drums better than this guy."

I meant it in a sort of smart-ass generic way, the way I might also say, for instance, "My mother can pitch relief better than Aaron Heilman". The actual truth, though, is that my mother can't pitch relief better than Aaron Heilman. The actual truth is also that I don't know how to play bongo drums. However, George took me literally and signed me up, so I will fake it as best as I can this Thursday. I will also shout out a poem or two, and if you are anywhere near downtown New York this Thursday at 6:30 I really hope you'll come by. I guarantee it will be fun.

Why I Love to Write

My family is full to overflowing with storytellers. Southerners on one side and Arabs on the other, for as long as I can remember, I have been surrounded by people who like to spin tales, true or false or handsomely embellished amalgamations of the two. So it's really no wonder that I've been making up stories since I was able to figure out how.

Reviewing the Review: April 20 2008

Michael Orthofer has been bemoaning the English-only literary focus of the New York Times Book Review for a long time, and he reaches a brilliant sarcastic pitch with a recent blog post titled 29 Words. It's more important that you read this than that you read anything I will say here this weekend.

This article is part of the Reviewing the New York Times Book Review series. The next post in the series is Reviewing the Review: April 27 2008. The previous post in the series is Reviewing the Review: April 13 2008.


Reviewing the Review: April 27 2008

Two weeks ago a New York Times Book Review cover article by Niall Ferguson all but endorsed John McCain for President, also referring to a book that called for eternal USA military domination of Muslim nations "the most profound book to have been written on the subject of American foreign policy since the attacks of 9/11 -- indeed, since the end of the cold war".

This article is part of the Reviewing the New York Times Book Review series. The next post in the series is Reviewing the Review: May 4 2008. The previous post in the series is Reviewing the Review: April 20 2008.


Berlin: Lou Reed’s Dark Poetry


In 1973, as a follow up to his highly successful "Transformer" album, Lou Reed released the album "Berlin". The ten-song concept album tells of the disintegration of a couple living in Germany. The couple, Caroline and Jim, follows a dark path that starts with drug addiction and descends into infidelity, spousal abuse, loss of children due to unfit parenting, and, ultimately, suicide. The album was a commercial flop upon release. Rock critic Lester Bangs, up until this point a huge Lou Reed supporter, called the record "a gargantuan slab of maggoty rancor that may well be the most depressed album ever made." Reaction to the album was so negative that Reed did not perform the complete song cycle in concert for over thirty years.