Nate Thayer, a well-respected journalist, has published a blog post roasting the Atlantic for asking him to provide a summary of a recent article for the Atlantic website for free. He didn't like that idea very much.
I am a professional journalist who has made my living by writing for 25 years and am not in the habit of giving my services for free to for profit media outlets so they can make money by using my work and efforts by removing my ability to pay my bills and feed my children. I know several people who write for the Atlantic who of course get paid. I appreciate your interest, but, while I respect the Atlantic, and have several friends who write for it, I have bills to pay and cannot expect to do so by giving my work away for free to a for profit company so they can make money off of my efforts. 1200 words by the end of the week would be fine, and I can assure you it would be well received, but not for free. Frankly, I will refrain from being insulted and am perplexed how one can expect to try to retain quality professional services without compensating for them. Let me know if you have perhaps mispoken.
A lot of support has rolled in for Nate Thayer, and against publications that dare to ask writers to write for free. Another Atlantic editor Alexis Madrigal has tried to explain the digital editor's side of the story, only to be torn into by Wonkette, which accuses Madrigal of "man-splaining".
(Please welcome a new Litkicks author. John Kemmerly grew up in South Louisiana, worked in bars and restaurants, sold real estate, worked on a tugboat, and in the 90s, owned a bookstore in Galveston, Texas. After selling his business, he spent two years working at a no-kill dog shelter and now lives and writes near Port Aransas, Texas. His work has been published in newspapers, literary journals, and a national magazine. -- Levi)
The library book sale took place on a small island off the coast of Texas in a town called Port Aransas. A line of people waiting to enter the sale looped around the tarpon statue, across the lawn, and out into the sunny parking lot. When the doors opened, the Community Center quickly filled with people bumping into each other, looking over shoulders, reaching for books.
I hurried past old VHS tapes and started scanning a table of quality paperbacks. Reaching in front of the lady standing beside me, I picked up a copy of Where I’m Calling From by Raymond Carver. “Hey,” the lady said, “I was just about to take that one.” Well, I doubt it. Where I’m Calling From is not a book most people have heard of, and anyway, she'd had her chance.
“You’re too late and too slow,” I told her, and then went back to work scanning for more gems. After twelve years, it felt good to be back in the game.
(Last year's big counterculture memoir was "Just Kids" by Patti Smith, and 2012's might turn out to be "Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side" by Ed Sanders, an American writer, musician, happener and activist I've long admired. I'm proud to present this new interview with Ed Sanders by Beat scholar and librarian Alan Bisbort, and I'm looking forward to reading this memoir myself. -- Levi)
Ed Sanders has been a cultural force in America for the past half century. Arguably best known for his satirical 1960s rock band The Fugs and his perennially wide-selling 1971 book The Family: The Story of Charles Manson's Dune Buggy Attack Battalion, Sanders's appeal to readers is also grounded in his deep Beat Generation roots. As a high school senior in Missouri, he read Allen Ginsberg’s Howl and then, after a failed attempt at a college education in Columbia, Missouri, hitchhiked east to see what all the Beat commotion was about.
Sanders was founder of a legendary literary “scrounge lounge”, the Peace Eye Bookstore, remembered as a Greenwich Village version of San Francisco's City Lights Books during the hippie era; editor of the seminal Fuck You/A Magazine of the Arts; publisher of works by Charles Olson and Ezra Pound; underground filmmaker (Amphetamine Head); prose author (Tales of Beatnik Glory); poet (America: A History in Verse); antiwar and anti-nuclear activist; he also seems to have known anyone and everyone affiliated with the American underground.
In his new book, Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side, Sanders ties all of his earliest threads—up to 1970—together in the most engagingly idiosyncratic memoir of the new year. Helpfully subtitled “An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture on the Lower East Side,” Fug You comes at you from all sides of this complex, rugged individual who appeared on the cover of Life magazine in 1967, emerging from splatters of Pollock-like paint as “a leader of the Other Culture.”
Still placing his shoulder to the cultural wheel, Sanders, 72, is today the strongest living link between the Beat Generation, the hippies and all other underground currents that have trickled along the countercultural pipeline since then. Sadly, his partner in Fug crimes, the irreplaceable Tuli Kupferberg, died in 2010 after 86 years of stirring up trouble and mirth.
On November 17, 2011 I spoke with Sanders by phone at his home in Woodstock, N.Y., where he lives with Miriam Sanders, his wife of more than 50 years.
Alan: The events you describe in the new memoir are so rich in detail that many of the chapters and sometimes even individual paragraphs would be worthy of entire books. Did it seem this complex at the time or is this true only in retrospect? In other words, did you just get up every morning and do all these things on instinct and now look back and you can’t believe all the ties to all the things and people?
Ed: I was very young, had a lot of energy, didn’t need to sleep a lot. Plus, I really believed that I was helping to make fundamental changes in the ways the economy works, in spiritual and personal freedom. Even though there were all those deaths and assassinations, the countercultural activities fueled the idea that there was a lot of hope throughout these years up to the early 1970s, which is where I stopped the book.
There were two incarnations of the fabled Shakespeare and Company Bookstore in Paris.
The first store was the labor of love of Sylvia Beach, an American expat from New Jersey. It lasted from 1919 until 1940 when it was closed by the Nazi occupation. But during its best years it was the haunt of “Lost Generation” writers like Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound and Gertrude Stein. James Joyce used the shop as his office, and it was here also that Sylvia Beach published Joyce’s Ulysses in 1922.
In 1951, another American (and English language) book store sprang up on the Rive Gauche, on the banks of the Seine, a stone’s throw from Place Saint Michel. This bookstore, originally named Le Mistral, was opened by bohemian wanderer George Whitman. His goal was to create“a socialist utopia masquerading as a bookstore”. Under the sign “Be not inhospitable to strangers lest they be angels in disguise”, Whitman opened his bookshop not only for browsing and reading, but he also provided couches and beds for tired literary travelers to spend the night.
Finally! My book Why Ayn Rand is Wrong (and Why It Matters) is now available in three major formats: paperback, iBooks (for iPhone or iPad) and Kindle. I'm happy to report that the book continues to increase in sales every month, and retains very high numbers on several of Amazon's lists (#48 in Philosophy, 8 months after publication -- nice!).
More than anything else, I'm proud to have written a philosophy book (or a pamphlet, really -- it's only 50 pages long) that is being read by hundreds of new readers every month. I'm humbled to realize that I'm living the philosopher's dream: my ideas about the meaning and limitations of Ayn Rand's ethics are beginning to enter the popular discourse about her legacy. I've gotten a moderately positive response to Why Ayn Rand is Wrong from readers who do not have a lot of familiarity with Ayn Rand or Objectivism, and a strongly negative (but engaged) response from within the Objectivist community.
There have been a few bad reviews, and there's a rambunctious dialogue still going on over at my Amazon page. I don't mind seeing negative reviews from serious Objectivists. It means they're reading my book. Give them a few years ... it'll sink in.
If you are interested in philosophy, morality, ethics or the principles of modern liberal/conservative politics, or if you're buying a holiday gift for someone who is: please do buymy book in any of its exciting new formats (I can't tell you how happy I am to finally see the book on my iPhone). Next week there will be more exciting news about new formats and a re-release of another Litkicks book! And, since you loyal blog readers have always been my unofficial "writer's group" (and have helped me a lot with the publication of this book), here are a few links about writing or bookselling I'd like to share with the group ...
I often hear people complain about "dirty hippies". Well, cleanliness is a virtue. But I've never understood why anybody would hate hippies. Is it that their exuberance is embarrassing? I like hippies, and I also like several writers identified with the post-Beat/hippie literary tradition of the 1960s and 1970s, many of whom are still active (or being remembered) today.
1. Johnny Depp is the star of a new film based on Hunter S. Thompson's novel of sin and excitement in Puerto Rico, The Rum Diary. Haven't seen it yet, but early indications are encouraging.
2. The late-career writings of the once-acclaimed novelist Ken Kesey were scant and unimpressive, but I recently wondered if this only indicated that Kesey had lost interest in the book format, and if there might be more substance to Kesey's later collectivist theatrical experiments than is commonly thought. Mike Egan's new book Ken Kesey and Storytelling as Collaborative Ritual asks the same question, examining group works like the play Twister with a Jungian point of a view and a fresh eye.
3. Karen Lillis has written a memoir, Bagging the Beats at Midnight, about her years as a bookseller at the endangered St. Mark's Bookshop (which remains one of the best places in New York City, and I hope it will never go away). Bagging the Beats includes chapters with titles like "Susan Sontag Wants The Manager & Richard Hell Wants the Bathroom Key".
1. Here at Litkicks, we love pretty much anything David Byrne ever does. His latest enigma is a series of nonexistent iPhone apps, including "Invisible Me" above, which will be displayed as part of a Pace Gallery show called "Social Media" in New York City this fall.
2. "Very Naked, No Lunch." So intones an Austrian hipster in Beat Today, a film that explores the meaning of the Beat Generation as it is manifested today within the counterculture of Central Europe. It's by Tilman Otto Wagner of Vienna, who has also written a book called The Beat Generation and Scholastic Analysis.
3. Exciting news! Litkicks favorite Art Spiegelman is writing a book about his book Maus, aptly titled MetaMaus. He'll be appearing at the 92nd Street Y in New York City to explain what this book will be.
Bill K. looked like a plain-clothes priest, which is what he should have been—and probably would have been had he not developed an early thirst for alcohol. Instead, he ended up at the Washington Post handling complaints from subscribers for 25 years, the sort of task that would drive most anyone to drink but which probably tested Bill’s own resolve to stay sober.
In his spare time, Bill was marginally a book scout, the sort who hung around the city’s second-hand bookshops and was friendly with all the dealers but seldom purchased anything other than the occasional item buried deep on shelves for so long that the original prices, due to inflation, had become relative bargains. He was well known to Doris and Sybil because he was among the few people who frequented their previous venue, a below-street-level space located even deeper in the outback of Capitol Hill, five or six blocks closer to RFK Stadium. Though the rent was considerably cheaper there than on Seventh Street, that location virtually assured no walk-in traffic other than homeless men or other desperate city characters. Most of their business was transacted with book scouts, other dealers or at the antiquarian book fairs within a day’s drive of Washington D.C. The shop was more like a place to hold stock, a giant, orderly storage bin that also kept regular hours.
Bill hung around that old shop largely because it was the closest book venue in the city to the boarding house where he lived, and every so often he unearthed a treasure the owners had priced too low, which of course did not warm the cockles of their hearts but did impress them with his bibliophilic skills. Because of his book scout’s nose, he was more familiar with their stock than they were and, taking the path of least resistance, they finally hired him to work the few hours they wanted off—“work” meaning sitting at the desk, answering the phone and denying restroom access to any Tom, Dick or Mary off the streets. They didn’t even have to pay Bill. He agreed to simply accrue in-store credit, which he then used toward the purchase of books he continually set aside. Even better, from his perspective, was he got first crack at new arrivals.
I'm very sorry to hear that all the Borders bookstores in the world may close their doors very soon. This is not, apparently, because the book business is slowing down (Barnes and Noble and Amazon are still viable) but because of specific business decisions that turned out badly. I hope there will be a last-minute salvation, and if there's not I will certainly grieve this loss. Say what you want about massive book super-stores; they are great places to buy books, hang out and hear author readings. And we need the restrooms.
There's one Borders bookstore I specially remember, my favorite Borders in New York City, though this store closed nearly ten years ago. It was one of the flagship Borders locations in Manhattan, and it was a particularly good one because the vast building that housed it gave it the space of a barn.
This Borders had three floors -- a small one, a big one, and a very big one. The lowest, smallest floor let out on a subway/PATH train concourse, and so it held mystery and romance bestsellers, comic books, magazine racks, bubble gum, CDs and playing cards. It was good that all this stuff cluttered up the lower floor, because it freed up the first floor to be something special.
Taking advantage of a Hollywood vacation my wife won at her office Christmas party this past December, I decided to visit a few West Coast indie bookstores with copies of my novel, Tamper. This was our first time in California and we loved everything about it. In between sightseeing and dining, I dropped in on four bookstores I had chosen from a list provided by L.A. resident Wanda Shapiro, author of Sometimes That Happens With Chicken, whom I recently befriended on Facebook.
First, I have to say, the printed book is far from dead. On the flight from Jacksonville, Florida and throughout our stay in the Los Angeles area, I lost count of the number of people I saw reading books (not ebooks) at the airport, on the plane, in the hotel lobby, in coffee shops, and on the beach. Once, on my flight back to Jacksonville, I saw no less than three people in a row, all reading books at the same time. I managed to sneak a snapshot of them with my iPhone before the flight attendant reminded me to shut the gadget down while we were in the air.