The Grateful Dead's 50th anniversary final shows are now over. Blowing past the boring cliches about aging hippies, the finale turned out to be a spectacular tribute to a gentle cultural phenomenon that offers balm and hope to a pained world ... as well as a glorious summertime-flavored dive into a gorgeous American songbook that unites rock and roll, jazz, country, folk, bluegrass and blues.
I was able to go to one of the five final shows (the second show in Santa Clara, California) and loved it immensely. I also enjoyed experiencing the other four shows in various formats ranging from extremely low-density (following the setlists on Twitter) to extremely high-density (dancing in a sweaty wistful crowd along with a theater simulcast on Long Island). Highlights for me from all shows included "Black Peter", "Brown Eyed Women", "He's Gone", "Brokedown Palace", "Tennessee Jed", "Deal", "Sailor->Saint", "Cassidy", "Unbroken Chain". Maybe the one thing that impressed me the most was the expressive singing of Bob Weir, who delivered "Throwing Stones" (the Dead's most explicitly ecological song) with a seriousness of purpose that no listener could miss.