The minutes get shorter, the walls start to close in
Feels like the brain is hanging on but with clothes pins
I've hidden in the darkness for too long
I make it look all right but in the inside its so wrong
I want life to change but I don't know if it can
for a man or machine or whatever the fuck I am
I stand alone burned every bridge over the troubled water
No longer hiding from my personality disorder
-- Even Shadows Have Shadows
1. I first heard of Eyedea a couple of years ago from my son (who also tells me about Cage, Aesop Rock, Yak Ballz, Slug, etc.). The talented rapper from St. Paul, Minnesota suddenly died this weekend, at age 28. There's still no word about how it happened.
2. I really don't know what it means, probably nothing, that Eyedea was from Franzen country.
3. Was the Cadbury factory in Birmingham, England an inspiration for Roald Dahl's Wonka works?
Today's guest philosopher is the great KRS-One. Despite the title, the classic Boogie Down Productions track "My Philosophy" doesn't directly address questions of epistemology, ethics or metaphysics. But it says a whole lot, and you can't deny the vocal stylings of KRS. In a few seconds, a philosopher will begin to speak ...
Sometimes I feel lazy. Sometimes I don't have a whole blog post in me. Sometimes I just want to show you some literary links.
1. Documents newly discovered in Penzance, England (hidden perhaps by pirates?) indicate for the first time that Victor Hugo based his Hunchback of Notre Dame on a real hunchbacked sculptor hired to work on the great church's restoration. The documents describe a Monsieur Trajan, or Mon Le Bossu, as a "worthy, fatherly and amiable man" who did not like to socialize with the other restoration workers.
3. Oxford University Press wants you to adopt a word. They've got lots of unwanted words, and they'll all be put down if you don't.
1. Here's a really good piece by British novelist Tom McCarthy, one of the brighter literary lights of our time: Technology and the Novel: From Blake to Ballard.
2. Jackson Ellis interviews poet Diane DiPrima.
2. It's very weird that attempted Times Square terrorist Faisal Shahzad left a DVD of the anomie-striven movie Up In The Air to be found in his home. Novelist Walter Kirn, who we recently interviewed about the film of his book, wrote this on Twitter: "times sq. bomber leaving behind copy of 'up in the air' reminds me of chapman, lennon's killer, and catcher in the rye. icky feeling now."
1. Beat poet Michael McClure's new book of poetry is called Mysteriosos. In his long and exciting career McClure has collaborated with Janis Joplin and Ray Manzarek, written influential plays like The Beard, and appeared as a character (a voice of sanity, strangely enough) in Jack Kerouac's novel Big Sur. He's also, in my opinion, a better nature poet than W. S. Merwin, and a whole lot more fun to read.
Mysteriosos is a wildly adventurous (typographically and otherwise) romp through existence and language. Characteristically for McClure's work, the consciousness of the poetic narrator is not restricted to the human species, and instead generally aims for a universal or animal awareness. Sometimes this is even achieved. Check out this good book (an earlier version of which was previewed temporarily on LitKicks during our 24 Hour Poetry Party in 2004).
Reality Hunger is a book-length essay about literature and culture by David Shields that's getting a lot of attention for its provocative key argument: we are wrong to think of fiction as the most exalted form of literature, because as readers we mostly value writings that bring us reality and truth -- which are, by strict definition, beyond the scope of fiction. Shields presents today's literary community as blind and confused, trained to pine after the ideal of the perfect novel, the sublime work of art, when in fact we crave something more primal than artistic excellence when we read.
Yeah, of course Blueprint is my number one hiphop album of the last ten years. It's not like it was a very hard choice (and it's not like a few of you didn't guess it). I already wrote about why I love the album so much here.
As we near the top of the Hiphop Masterpieces of the 2000s list, a common thread begins to emerge: business. How to succeed in a cutthroat business environment has always been, to a surprising and largely unrecognized degree, one of hiphop's core lyrical themes. Inspired by films like The Godfather and Goodfellas, following the early lead of EMPD and Q-Tip (who advised that "record company people are shady"), rappers have aligned their egos with their management skills, taking pride in their abilities to compete and win in the rap game (which, Nas famously pointed out, has a lot in common with the crack game). Like the novels of Horatio Alger, modern hiphop offers inspirational stories about working hard, focusing on goals, avoiding traps and pitfalls, coming out on top.
Many music critics placed Kanye West's first album College Dropout near the top of their best-of-the-decade lists. That was an excellent record, featuring his lyrical breakthrough "Through The Wire", but for the LitKicks Best Five of the 2000s I'm going with Ye's third album Graduation, the conclusion of his college trilogy.