Here at Litkicks, we always knew about Rust Belt Chic. There's some kind of magical aura to the cold, hard-bitten industrial cities of the Great Lakes region, and a few years ago we would visit a website called Deep Cleveland, a site inspired by the memory of poet d. a. levy, to get a hit of this cultural flavor. Now there's a new entry representing the spirit of the northern urban netherworlds, aptly titled Rust Belt Chic. The new website has also published its first book. Our own definition of rust belt chic? Eminem ... Michael Moore ... Hart Crane ... MC5 ... Alan Freed ... Devo ... Harmony Korine. And these two websites, well worth checking out.
After spending two months redesigning Literary Kicks and migrating it from Drupal 6 to Drupal 7, I asked my wife Caryn what she thought of the new look. "It looks the same as before," she said.
That really made me laugh, because it's true. I spent two months trying out about ten new themes, two different responsive/mobile strategies and at least three crazy ideas about completely reinventing the look and feel of the blog. I then ended up choosing a design/layout structure that strongly resembled the layout and design that was in place before. I guess I don't like to screw with a formula that works.
But, even if the difference isn't obvious, I've made significant improvements in the site's content architecture which will allow me to keep digging deeply into my archives, cross-pollinating by taxonomy and various metadata, and adapting to new reader devices and display formats. Most importantly, the entire site is now fully HTML5. If you don't know much about HTML5, you might have at least caught a glimpse of one of its champions, Tim Berners-Lee, a long-time tech hero of mine, at the London Olympics Opening Ceremony.
I'm only a few pages into Mr. Penumbra's 24-Hour Bookstore by Robin Sloan. Here's the setup:
I'm off for a month of rest and rethinking. As I've mentioned before, Litkicks is going to go through some changes before it returns in early September. The main goal of the redesign is to enable a more natural flow of content on the site, and to allow the site to do more of what works and less of what doesn't. I'm still sketching out the basic plan, but here's a slightly more detailed breakdown of the changes I have in mind:
Literary news and essays. This will remain the primary purpose of the site, though we'll be posting shorter pieces at a faster rate on the new version, along with the regular stream of longer pieces by myself and excellent contributors like Michael Norris, David Richardson, Claudia Moscovici, Alan Bisbort, Garrett Kenyon, Dan Barth, newcomer Tara Olmsted and hopefully other new voices too. The main change in this area will be a bifurcated design for content: there will be one stream of short, newsy blasts and another stream of more substantial writings. I think this will help the site a lot. As for the style and sensibility of the literary coverage, that will stay exactly the same: opinions, observations and research.
Changes. Funny thing ... I was planning on writing a blog post today about some changes I'm planning on making here on Litkicks. The site turns 18 years old (!) this Monday, July 23, and I'm planning to shake a few things up. I was going to write about that today, and then I heard some news about the Bowery Poetry Club.
The Bowery Poetry Club has always been my favorite night spot in New York City. It opened in the spring of 2002 -- a great time for a new spoken word poetry club to open in a New York City still recovering from the shock of the previous September. The club is the handiwork of poetry raconteur Bob Holman, a guy we like a lot and think should be Poet Laureate of the United States.
For the past eleven years the BPC has been a cozy and friendly spot for amateur and professional poets and slammers and lyricists. Everybody who worked there was a poet, and you'd find Moonshine and Shappy (two good spoken word guys) mopping the floor or tending the bar. There's a Walt Whitman Lite Brite behind the stage, tasty organic coffee and tarts out near the front ... and halfway decent poetry acts at least half the time. Whenever a friend was coming in from out of town, I'd tell them to hit the Bowery Poetry Club.
Unfortunately, it's closing down. A restaurant will probably replace the club, though there is some word that the restaurant will continue to host poetry events. Bob Holman sent out an encouraging message earlier today:
The rumors of the death of the Bowery Poetry Club are greatly exaggerated!! It is true that ten years into Project Utopia, the hamster-tail chase of booking 30-35 gigs a week to allow the Poetry we know and love to live has produced a fatigued staff, a ragged Board (of Bowery Arts + Science, the nonprofit that books the Club), and a space that's crying out for a dose TLC. But toss in the Po' Towel? No Way, Joe! By spending the summer renovating and working out a partnership with a restaurant (rumors of Duane Park as our collaborators are sweet and the two entities surely do share a love for the populist arts of the Bowery, but nothing is signed yet folks), we hope to reopen come fall and be SUSTAINABLE with a neighborhood (Loisaida/Earth) focused poetry schedule, utilizing other neighborhood resources as well as the Club. Look for a fuller deployment of the POEMobile around town, state, country, solar system, and a commitment to a global poetics rooted in the Endangered Language Movement. To the communit-y/-ies who have supported us, and to our staff, deepest thanks! Stay tuned -- we love you. Come party with Sean T and Ann and all on Tues July 17. Everything is Subject to Change! -- and for our Tenth Anniversary next year, the BPC will look different. To survive and sustain. All the better to serve the world poetry.
In other words, Holman says we don't need to worry about poetry in New York City ... and from what I know of the strong slam poetry community in New York City, we definitely don't need to worry about it. It's good news that the Bowery Poetry Club organization will continue to be active, and I'm sure they'll keep it hopping on the Lower East Side.
1. Michael Stutz recently shared his theory that a diner in Jack Kerouac's hometown of Lowell, Massachusetts might have been the inspiration for the name of Sal Paradise, the On The Road narrator. In a follow-up conversation, Michael told me more about the Paradise Diner: it opened in 1937 (when Jack was 15 years old) and can be found on Google Maps here.
2. The poet Adrienne Rich has died. Jamelah Earle has written about this.
3. My younger daughter compelled me to read Suzanne Collins's The Hunger Games last year, and we were both fairly blown away by the movie (as was Benoit Lelievre and many, many others). The Atlantic has published a good list of the story's mythological and pop-culture sources. (I'm only surprised this article doesn't mention Gone With The Wind, since Katniss's richly layered love triangle with Peeta and Gale strikes me as a clear echo of Scarlett O'Hara's tortuous confusion over Rhett Butler and Ashley Wilkes).
When I write about the concept of the group mind, I'm often misunderstood to be advocating for collectivism. In fact, I would never bother advocating for collectivism, because collectivism doesn't need an advocate.
The impulse to groupthink has us all in its grip, every moment of our lives -- whether we like it or not, and whether we admit it or not. We can try to better understand the ways that social psychology affects the individual decisions we make and the private feelings we feel, but it is not in our power to remove these societal influences from our lives. We might just as well try to survive without breathing air.
In the past week, the story of the murder of young African-American Trayvon Martin by an overzealous "Neighborhood Watch" volunteer named George Zimmerman in Sanford, Florida has shocked many Americans. The first shock is the injustice of the crime -- a friendly, helpless kid, armed with a deadly Skittle, falling into the crosshairs of a wannabe hero with a gun, a racist eye, and way too much time on his hands.
But George Zimmerman's crime is not an individual crime, and the shadowy fingerprints of the "group mind" are all over this case. Zimmerman was policing a residential area that identified itself as a gated community, and it was his membership in this gated community's "Neighborhood Watch" program that made him feel empowered to shoot at a stranger. When the Sanford police arrived at the scene of the crime, the officers amazingly came to the conclusion that Zimmerman must have been justified in shooting Martin, and even the top leadership of the police force concurred with this decision. What seems at first to be the murderous act of a single deluded man turns out to be the deadly delusion of an entire city.
Michael Stutz began exploring the literary/underground/DIY culture of the Internet as a writer for Wired and Rolling Stone so long ago that, way back when I first showed up on the lit/tech scene (which was a long time ago), he was already there to show me around. After a long self-imposed separation from the online world, he has now returned with a three-volume novel chronicling the entire life story of a connection-hungry connoisseur of online culture. Meet Michael Stutz.
Levi: Your novel Circuits of the Wind: A Legend of the Net Age is a coming-of-age tale, hearkening back to other classics of the genre from Henry Fielding's Tom Jones to J. D. Salinger's Catcher in the Rye. But your hero's world is a new one for fiction: the emerging society of online culture, from the early Unix dial-up BBS's of the 1980s to the dot-com mania of the 90s to the more scattered social networking scene of today. What kind of reaction are you getting from readers to the idea that a life lived largely online is one worthy of heroic fiction?
Michael: The novelist Tony D'Souza just called the book's hero, Ray Valentine, "the Everyman of the wired age," so it seems to be natural -- and remember McLuhan: "technology forces us to live mythically." Yet, you know, heroic fiction of the kind we're talking about is almost nonexistent in contemporary literary fiction. Arther S. Trace, Jr., an outsider intellectual, wrote a powerful, prescient book in the early 70s called The Future of Literature. This is about the only book of literary theory to map out and show the decline of heroic fiction. It was a long process, but Trace shows how it really tanks in the day of postmodernism. And you know what? I've always been repelled by postmodernism -- in everything, from literature to architecture. I don't identify with it or fit in with it at all. For decades we've had the postmodern "anti-hero" in fiction, and everything has to be ironic and heartless, and that just doesn't connect with me. I'm Beat and before. Bring me back to that and let's go off in a whole new direction and forget all this other stuff. I want to do something totally different. So if the classical hero is the way, and the new world of the net is my ineluctable material, the combination is pretty much the way it had to be.
I waited a couple of months before letting myself open up Walter Isaacson's acclaimed new biography, Steve Jobs. Given Isaacson's known gift for storytelling and my own penchant for computer-age pop culture history, I knew I'd be in for an obsessive reading experience once I cracked it open. This is a book I needed to clear away some uninterrupted time for.
The most enjoyable part of Steve Jobs is the first section, in which two delightful Silicon Valley counterculture tech nerds named Steve Jobs and Steve Wozniak grow up and invent the world-changing Apple II, the first commercially viable personal computer, in 1977. Here, the book offers the familiar satisfying thrill we look for in the early pages of every celebrity biography: those achingly pregnant moments in which the players stand at the precipice of greatness ... and then finally step over.
The dawn of the computer age is always a compelling subject, because we can all relate in some way to the feeling of surprise, personal growth and liberation that has accompanied this rapid pace of technological change (this is a dawn, after all, that we are still somewhere in the middle of). Isaacson's Steve Jobs is a classic computer-age tale of transformation and wonder -- from the quaint beauty of the first Macintosh (a wonderful little machine, so efficient that its entire operating system fit along with several applications and free user space on a single one-megabyte diskette) to the wide smiles generated by the Toy Story movie franchise (this is what Jobs worked on in the 1990s, between the Mac and the iPhone), to the invention of the dynamic iPad device, his last offering to the world before his early death.
I considered going dark today to protest the Stop Online Piracy Act (along with Boing Boing, Reddit and Wikipedia), but I decided not to for two reasons. First, I don't think little sites like Litkicks will make much impact at all by going dark. You've got to be pretty huge to pull something like this off effectively. Second, my favorite President has already signaled that he will veto the bad bill, so I'll save my protest for the next good cause. And here are some literary links, many of which seem to revolve around the classics:
1. We were with her a quarter of an hour before Eliz. & Louisa, hot from Mrs Baskerville's Shop, walked in; -- they were soon followed by the Carriage, & another five minutes brought Mr Moore himself, just returned from his morn'g ride. Well! -- & what do I think of Mr Moore? -- I will not pretend in one meeting to dislike him, whatever Mary may say; but I can honestly assure her that I saw nothing in him to admire. -- His manners, as you have always said, are gentlemanlike -- but by no means winning. Most of the letters in the new collection by the genius of Steventon, England, Jane Austen, are not this juicy, but the mundanity of the writer's daily routine is also valuable to read about, and the sickness-to-death letters towards the end are quietly, tragically moving. Jane Austen's Letters, the Fourth Edition, edited by Deirdre Le Faye.
2. James Franco, who was pretty good as Allen Ginsberg in Howl, has made another film based on the life of a 20th Century poet: The Broken Tower, about Hart Crane. Slate isn't impressed, but I'll give it a chance.
3. Ezra Pound's daughter Mary De Rachewitz is trying to make sense of her father's fascist past while protesting an Italian neo-fascist party that has attempted to adopt his name.