Romantic
The Conformism of Postmodern Style

(Please welcome a second Litkicks appearance by Claudia Moscovici, who recently told us about her experience writing the novel Velvet Totalitarianism. Today she introduces the main idea behind her book Romanticism and Postromanticism, an art-related idea that resembles some of the theories I've recently heard about genres and literary fiction. Enjoy ... -- Levi)
Artistic freedom and aesthetic value are interrelated. Art that is not considered valuable by the artistic establishment -- art critics, museum curators and art historians -- doesn’t even get the chance to be evaluated by the public. Such art doesn’t make it to museums of contemporary art like the Guggenheim. It also doesn’t get discussed in the art sections of influential newspapers and art magazines. Analogously, literature that is not considered valuable by the publishing establishment -- literary agents, editors, publishers and critics -- doesn’t get a readership because it never makes it into print. (Granted, of course, the Internet has recently opened up possibilities to express more diverse points of view that didn’t exist before.)
So artistic freedom isn’t just about creating whatever one wants in the privacy of one’s home or studio without the fear of being arrested or shot for it. Although this basic freedom is very necessary, artistic freedom also entails a correlate liberty: namely, the public’s freedom to be exposed to a wide variety of artistic and literary styles. That way we can make our own choices and express our personal tastes. When there’s only one politician or political party to vote for on a ballot it generally means there’s no real freedom of choice in politics. When there’s only one artistic current or style displayed in museums of contemporary art it means there’s no real freedom of choice in art.
La Mancha, Espana: Where Cervantes' Knight Roamed

You folks did great this time -- not a single wrong guess! Indeed, the answer to yesterday's quiz question is the La Mancha region in Central Spain, north of Toledo and south of Madrid, where Miguel de Cervantes set his great comic novel Don Quixote.
Cervantes did not live in the La Mancha region himself, but he was born nearby in Central Spain and was certainly familiar with the area. A town called Cervantes can also be found in this vicinity, though I have not been able to figure out whether he was named for this town or it was named for him (if anybody knows, please fill us in). Some literary experts believe that he chose the La Mancha region as the home for his hero just so he could name him "Don Quixote de la Mancha" (this was apparently funny, as "mancha" meant "stain").
Unto this Last: John Ruskin's Economic and Political Writings
(19th-Century British art critic John Ruskin has made several appearances on LitKicks. Here, Michael Norris introduces us to a surprising side of Ruskin not widely known today: his economic and political essays. -- Levi)Some Dusty Old Stuff
The Mary Shelley Story

Mary Shelley was born Mary Godwin in London, England on August 30, 1797 to remarkable parents. Her mother, Mary Wollstonecraft, a feminist when feminism was almost unheard of, wrote A Vindication of the Rights of Women in 1792. Her father, William Godwin, a well-known critic of the British government and the founder of modern philosophical anarchism, wrote An Enquiry Concerning Political Justice in 1793. Sadly, eleven days after Mary was born, her mother died of puerperal fever, leaving William Godwin to raise Mary and her older half-sister, Fanny.
Mary's father believed in the progressive type of education prescribed by philosophers like Rousseau, which emphasized experience over book-learning. He took Mary and Fanny on trips to different places and often invited writers, philosophers, and scientists to his house. These guests included Charles Lamb, William Wordsworth, Humphry Davy, and Samuel Taylor Coleridge. One night Mary got to hear Coleridge recite his poem The Rime of the Ancient Mariner to a roomful of guests. Mary was writing her own stories by the time she was ten years old.
Samuel Taylor Coleridge

When I think of Coleridge, I think of those momentary sparks of intuition I have experienced, when my brain seemed to grasp a clear and divine truth. It's like seeing something from the corner of my eye; when I turn to look more closely - it's gone! If others do not share this impression, that is all right, because subjectivity was a major tenet of the Romantic Movement, of which Coleridge was a founding member.
The Romantic Movement was, in part, a rejection of the cold logic that came from the Age of Reason. Romantics such as Coleridge, Wordsworth, and Southey emphasized emotion over reason, feelings over intellect. It was a return to spiritual, ephemeral realms of the imagination, often involving legends and heroes from ancient times. While their writing seems quite structured by today's standards, they were actually breaking away from the strict rules of verse prescribed by earlier poets.


