Exactly one hundred years ago today, there was still some hope that the monstrous war that had just broken out between (in quick succession) Serbia, Austria-Hungary, Russia, Germany, France, Belgium, Great Britain and Turkey might be over by Christmas. A quick victory was what all the military experts on all the sides had promised, after all.
The Great Fraud wasn’t over by Christmas. Today, we mostly think of the First World War as the prelude to the grudge match that followed it, the Second World War, which was somehow even more destructive. Today, the shrill pitch of global politics shows that we have never really managed to emerge from the cloud of moral poison that emerged from Central Europe in 1914. La Grande Illusion still surrounds us today.
The First World War is almost always remembered by historians as a foolish and massive human tragedy, and that's why a mood of dignified sadness and cosmic frustration hung in the air on November 8 in the Celeste Bartos room of the New York Public Library, where an impressive group of historians and activists gathered for a day-long event called Voices for Peace, 1914-2014.
The host was Lewis Lapham, and the theme of the program appeared to have been inspired by Adam Hochschild's important recent book To End All Wars (which I read and reviewed here on Litkicks), a survey of the long-forgotten pacifist and activist movements that tried to prevent the slide to futile madness in Europe in 1914, and a reminder that the philosophy of pacifism has a long tail.
You may have heard about Wittgenstein's poker, or Wittgenstein's nephew or Wittgenstein's mistress or Wittgenstein's ladder. For some reason that I don't fully understand, people like to read books about Wittgenstein's stuff.
Well, it's fitting that Ludwig Wittgenstein shows up in a lot of postmodern novels and pop-culture texts, because he really is that good, and his works really are that relevant today. This enigmatic Jewish-Austrian-Catholic 20th Century philosopher and schoolteacher's fame has grown after his death to the extent that he is now widely regarded as the most important thinker of our age.
I’m still taking a break from the lengthy weekend posts. What I’ve got for you today is three enigmatic quotes.
”An ant can look up at you, too, and even threaten you with its arms. Of course, my dog does not know I am human, he sees me as dog, though I do not leap up at a fence. I am a strong dog. But I do not leave my mouth hanging open when I walk along. Even on a hot day, I do not leave my tongue hanging out. But I bark at him: "No! No!”” — Lydis Davis, Varieties of Disturbance
I recently listed Ludwig Wittgenstein as one of three essential philosophers who can add surprising clarity and vital new perspective to frustrating debates about ethics, political ideology and the practical problems of our planet. What’s most essential about Wittgenstein is not the conclusions he has drawn about ethics and politics. It's the dynamic and truthful way of thinking that his method represents.
Ludwig Wittgenstein is unique among the great Western philosophers. He is the only major thinker to have become famous as a philosopher twice: first for laying out a belief system and then for returning to destroy his earlier work. Indeed, the remarkable fact that he spent the second (and greater) half of his career refuting everything he achieved in the first half is itself an example of the sublime conductivity of his thought process. It takes a hell of an open mind to do that. And a whole lot of courage.
One of many unforgettable moments in Philip Gourevitch's book about the 1994 Rwanda genocide We Wish to Inform You that Tomorrow We Will Be Killed with Our Families is the author's visit to Gitarama prison a year after the massacre. He finds a scene of incredible physical misery, though the sufferers barely complain. It's the suspected Hutu perpetrators of the previous year's genocide, not the Tutsi victims, who are crowded together here.
On the day of my visit to Gitarama Prison, six thousand four hundred and twenty-four prisoners formed a solid-looking knot, and I had to plan each step I took with care. It was difficult to figure out how the people fitted together -- which limbs went with which body, or why a head appeared to have grown three legs without a torso in between. Many of the feet were badly swollen. The bodies were clad in rags.
Gourevitch is perplexed by what he finds as he visits various prisons holding thousands and thousands of suspected Hutu killers. The prisoners could easily escape, the author observes, but they don't try. They just sit there.
Although the tightly packed inmates were all accused of terrible violence, they were generally calm and orderly; fights among them were said to be rare, and killings unheard of. They greeted visitors amiably, often with smiles and with hands extended for a shake ... The captain kept calling out, "Here's a journalist from the United States," and the huddled men, squatting at our feet, clapped mechanically and made little bowing motions. It occurred to me that this was the famous mob mentality of blind obedience to authority which was often described in attempts to explain the genocide.
Blind obedience to authority is what these bewildered prisoners are guilty of, and it appears possible that they are so passive because they have already judged themselves to be guilty, that they look so confused because they don't understand themselves how they suddenly transformed into murderers. Some of them admit this to Gourevitch, and later he talks to a former Hutu leader who has returned to the village where he presided over the murder of approximately seventy of his neighbors to ask for forgiveness from the few survivors who remain.
What can we discover by analyzing the worst atrocities of modern history together, looking for patterns and common features? A whole lot, it turns out -- and we're just getting started.
Last weekend we discussed the surprising fact that every society will always consider itself highly moral and principled, even as this society may engage in vile activities. We called this the Ashley Wilkes Principle (named after the noble, brainy Confederate hero of Margaret Mitchell's Gone With The Wind). This week I'd like to examine another notion that appears to be surprising and self-evident at the same time.
A recent book called The Internal Enemy: Slavery and War in Virginia, 1772-1832 by the historian Alan Taylor drives home a single point: during the War of 1812, when the British Navy invaded and occupied Virginia's Chesapeake coastline, an event occurred that badly shook Virginia's well-entrenched plantation society. Slaves began to realize that they could escape bondage by reaching the British ships that lay ashore. Once they escaped, they would conspire with their British rescuers and help them invade their own plantations and villages to retrieve their families and free more slaves.
I've been trying to philosophize about the Ukranian crisis in real time. This is always hazardous. Last Saturday morning, February 22, I invited readers to look at six images representing the history of Ukraine and to suggest three more that help fill out the story we are trying to understand. The idea was to try to puzzle out new insights about the enigmatic and confusing geopolitics of this Eastern European country, which has endured terrible conflicts and sufferings for centuries.
I thought this would be a worthy Zen type of philosophical/political exercise -- but I felt the sand of the mandala falling out under me when, just as I hit "publish" on my blog post, news blared out all over social media that the embattled Russian-sponsored President had suddenly fled the city of Kiev. This meant that the violent Kiev uprisings of the past weeks had turned into a successful revolution. Huge news! But I regretted having published my blog post about Ukraine's history on this hopeful and joyous day in Kiev and around the world. My blog post had a gloomy and angry tone that did not match the jubilation I even felt myself as I watched reports of Ukranian citizens celebrating on the streets of Kiev.
Even so, my intrepid and erstwhile Litkicks commenters came through in the clutch and answered my challenge with several great sets of images (see the comments on last weekend's post to enjoy the selections). I was glad that Subject Sigma remembered the nuclear accident at Chernobyl, and also shared the image of a beautiful breadbasket Ukranian field that is at the top of this page.
Last weekend I suggested that we attempt the exercise of visualizing global conflicts as Sudoku puzzles, and explained some of the basic techniques typically used to solve these puzzles. I then got a bit carried away discussing the difference between Sudoku and KenKen puzzles, and how some KenKen techniques could also be applied. One commenter was smart enough to ask: just what difficult questions was I trying to answer? This question brought me back to earth, and I promised to respond today.
The broad question I want us to consider is the same one I've been asking here for a long time. Why are we stuck in a militarized society, so stuck that most people don't even realize an alternative is possible? What are the conditions that can enable world peace?
This is the broad question, and in this sense the entire history of the world leading up to today is the puzzle I want to solve. This puzzle contains other puzzles within it. Europe is a puzzle, Africa is a puzzle, Asia is a puzzle, North America is a puzzle. These puzzles also contain puzzles. Within Europe, Ukraine is a puzzle, Russia is a puzzle, France is a puzzle. In order to focus on something very relevant right this minute, let's look at the stunning events of the last couple of weeks in Ukraine -- violence and determined protests on the streets of Kiev, hot dealings between Russia and its puppet government, news flashes arriving by the minute -- as our first case study.
We need more movies about philosophers. I can only think of very few examples to mention, but David Cronenberg's A Dangerous Method, a 2011 film about the rivalry between early psychologists Sigmund Freud and Carl Jung, shows that the format can work. This is an intelligent and straightforward narrative work, based on Christopher Hampton's play The Talking Cure which was itself based on the book A Most Dangerous Method: The Story of Jung, Freud, and Sabina Spielrein by John Kerr.
A Dangerous Method stars Michael Fassbender as Carl Jung, Viggo Mortensen as Sigmund Freud, and Keira Knightley as a severely disturbed young psychoanalytic patient named Sabina Spielrein who would eventually defeat her demons and become Jung's illicit lover, Jung and Freud's intellectual partner, and an innovative psychologist in her own right.
It's great that Edward Snowden got us all talking about privacy. But are we saying intelligent things about it yet?
The most common reaction to revelations of federal invasions of individual privacy is to visualize a federal government as an "other" looking at "us". But of course most of us who live in democratic nations elect, empower and embody our governments, and are therefore spying on ourselves. And few citizens of democratic governments today seem willing to bear the results of not spying on ourselves.
If there were a referendum in the United States of America right now for a potential law to prohibit government surveillance designed to prevent terrorist attacks, it would probably be rejected by voters who do not wish to allow that level of risk. The "other" that supports USA federal surveillance is not a remote body of power-hungry elites in Washington DC -- it is us, the voting public.