Exactly one hundred years ago today, there was still some hope that the monstrous war that had just broken out between (in quick succession) Serbia, Austria-Hungary, Russia, Germany, France, Belgium, Great Britain and Turkey might be over by Christmas. A quick victory was what all the military experts on all the sides had promised, after all.
The Great Fraud wasn’t over by Christmas. Today, we mostly think of the First World War as the prelude to the grudge match that followed it, the Second World War, which was somehow even more destructive. Today, the shrill pitch of global politics shows that we have never really managed to emerge from the cloud of moral poison that emerged from Central Europe in 1914. La Grande Illusion still surrounds us today.
The First World War is almost always remembered by historians as a foolish and massive human tragedy, and that's why a mood of dignified sadness and cosmic frustration hung in the air on November 8 in the Celeste Bartos room of the New York Public Library, where an impressive group of historians and activists gathered for a day-long event called Voices for Peace, 1914-2014.
The host was Lewis Lapham, and the theme of the program appeared to have been inspired by Adam Hochschild's important recent book To End All Wars (which I read and reviewed here on Litkicks), a survey of the long-forgotten pacifist and activist movements that tried to prevent the slide to futile madness in Europe in 1914, and a reminder that the philosophy of pacifism has a long tail.
I was recently pondering the upcoming midterm elections here in the USA while stopped dead in rush hour traffic on a Fairfax, Virginia highway. Far away by the side of the road, I spotted a freaky-looking old white-bearded guy waving a sign that I had to strain to read.
I guessed that his sign bore a political message, but based on his expression of plucky determination I could not guess whether it would be a message I'd agree with or not. This gave me a unique opportunity to form an advance opinion of this person's character and intelligence based only on his appearance -- blue jeans, work shirt, a funky-enough hat -- and to compare my initial impression to the impression that would follow once I could read the words on his sign.
Based on initial impression, I liked this guy, because it takes a lot of guts to stand at a crowded highway intersection all by yourself and wave a sign at frustrated rush hour drivers. I also liked him because he had a pleasant and intelligent face, and because I tend to always like people with strong opinions and the courage to stand alone. As my car inched closer to where he stood, I really hoped his sign would say something deeply insightful.
The past week was a rough ride on the literary Internet. Thursday brought the sudden death knell of HTMLGiant, a rollicking community website frequented by writers like Tao Lin, Zachary German, Megan Boyle, Noah Cicero, Marie Calloway and Blake Butler along with a wide cast of erratic contributors and scattered postmodernists. This lively website always reminded me of the fun and psychotic days when Litkicks ran message boards.
The good news is, HTMLGiant is staying alive through October for one last gasp, promising to unleash a series of farewell blog posts "because if there’s anything this website deserves it’s an uncontrolled flameout". That's the way to do it, HTMLGiant!
Nothing I can write today will be as relevant as an event that took place in New York City and various other places around the world today: the biggest climate march in history, attended by over 300,000 people. The Huffington Post has the scoop.
The specific policy mission of this march is to deliver a message of solidarity before the beginning of the United Nations Climate Summit. This large group of concerned human beings seems to be doing a great job of making its voice heard.
If you're on the east coast of the USA these days, you might catch a painted bus called Furthur running up and down the seaboard. This colorful vehicle is named after the original Furthur that took novelist Ken Kesey, Neal Cassady, Ken Babbs and the rest of the Merry Pranksters across the country on a famous road trip 50 years ago. I caught up with Zane Kesey and the giant rolling metaphor he designed for his father when they finally rolled into Brooklyn, New York last month.
A few days ago, an African-American teenager was killed by a policeman for no apparent reason in a town called Ferguson on the outer edge of St. Louis, Missouri. As outraged citizens began protesting in the streets, the police made a bad situation worse by confronting the protestors in terrifying battle-line formation with quasi-military equipment and tear gas grenades, denying the right to assemble, arresting journalists and photographers.
Now the protest has become a global concern, and the anger that many of us in the USA have been expressing contains some pent-up rage, since we’ve all been watching video footage from Gaza, and Ukraine, and Syria and Iraq. We’ve been seeped in images of foreign violence all year, so the images of violence in the middle of our own country can feel like the revelation of a hidden universal truth: we are part of this war-torn world.
In 2002, filmmaker Richard Linklater selected a six-year-old actor named Ellar Coltrane to be the star of his new movie Boyhood, which was expected to take twelve years to film.
Linklater also cast seasoned actors Patricia Arquette and Ethan Hawke to play the boy’s divorcing parents, and signed his own eight-year-old daughter Lorelei Linklater on as the older sister. Big sister Lorelei steals the show in the movie's first couple of scenes, first with a Britney Spears dance number, and then with a temper tantrum at a family meal. This is where Boyhood’s journey begins. When the movie is over, twelve years or two hours and forty-five minutes later, all of the characters has been transformed, and the audience has been transformed too.
I’m a Richard Linklater fan — sure, I love Slacker and Dazed and Confused, though I never got to see the Trilogy. I'm probably in the minority among Linklater fans because I like School of Rock better than Dazed and Confused. But I have a new favorite Richard Linklater film today. Boyhood is his masterpiece, the most fully realized work of his career.
Sure, every other obituary of 86-year-old Brooklyn novelist Daniel Keyes is going to talk about Flowers for Algernon. And, yeah, that was his best book. But I'm going to talk about The Touch, simply because I remember this novel well, and because nobody else is going to mention it.
As a lonely middle school kid, I was so desperate for good books that I would bottom-feed the local library stacks, looking for off-hit books by writers who were (I could already tell at my young age) literary one-hit wonders. This is why during the waning years of the Summer of Love and the waxing years of the Me Decade I read Love, Roger by Charles Webb (author of The Graduate), David Meyer is a Mother by Gail Parent (author of Sheila Levine), This Perfect Day by Ira Levin (Rosemary's Baby). And it's why I read The Touch by Daniel Keyes, author of the powerful Flowers for Algernon. I suppose I was also attracted to The Touch by the mod cover design, which reveals Daniel Keyes trying to reach a hip adult literary audience. That never quite happened, but we'll always have Flowers for Algernon.
Two children's books I loved as a kid (and still love as an adult) have been republished in attractive new editions. Whether you've read these two books before or not, they are awesome and well worth checking out.
Funny thing, a trollish article titled "Against YA: Adults Should Be Embarrassed to Read Children's Books" by a person named Ruth Graham was recently published on Slate -- an obvious attempt at clickbait, and clearly the work of a bullying personality similar to that of the mean kid who kept throwing eucalyptus seeds at Mitch and Amy in Beverly Cleary's Mitch and Amy. (But that's another story.) Am I embarrassed to be remembering children's books? Hell no. These are two of the best books I've ever read.
I used to go to BookExpo in New York City every Spring. It was a grand event, a joyous social swirl of writers and publishers and editors and bloggers and critics. But, regretfully, I stopped going to BookExpo a couple of years ago. Some friends tell me the event has shrunk and that I'm not missing much. But I know I'm missing a lot whenever I get a chance to hang out with book people.
This year, I strangely found myself for the first time at DrupalCon, an amazing gathering of web development technology gurus, experts and dabblers who use the very powerful Drupal open source platform to build websites. I've been a Drupal developer since 2009, and I ported this blog from WordPress to Drupal in 2010. Drupal has been both my day job (currently, an exciting new federal government health information and community website launching in October) and my personal obsession. This is my first DrupalCon, my first chance to hang around with thousands of other developers who are as obsessed as I am.