D. G. Myers, a celebrated literary critic, professor and blogger, died quietly of cancer in late September. For many like me who only knew D. G. Myers through his writings and online presence, his death was no surprise. We had read about it on A Commonplace Blog or in Time magazine, or in his much-praised podcast for the Library of Economics and Liberty just a few months before he died.
As his cancer worsened, D. G. Myers also expressed his feelings in occasional bursts on his beautiful Twitter account. Always a writer first, his tweets were unfailingly elegant, measured and dignified. Even when he could only manage bitter humor and wry regret for his family's shared suffering as he tweeted his way through chemotherapy during his last weeks on Earth:
The past week was a rough ride on the literary Internet. Thursday brought the sudden death knell of HTMLGiant, a rollicking community website frequented by writers like Tao Lin, Zachary German, Megan Boyle, Noah Cicero, Marie Calloway and Blake Butler along with a wide cast of erratic contributors and scattered postmodernists. This lively website always reminded me of the fun and psychotic days when Litkicks ran message boards.
The good news is, HTMLGiant is staying alive through October for one last gasp, promising to unleash a series of farewell blog posts "because if there’s anything this website deserves it’s an uncontrolled flameout". That's the way to do it, HTMLGiant!
I always wondered how I would react if I ever found somebody else using the "Litkicks" name.
I can't see myself ever sending a "cease and desist" letter through a lawyer. That just wouldn't be my style, and it would betray the various vague but passionate stances I have taken as an artistic libertarian and copyright anarchist. Now that I actually find a community organization in London advertising a series of events as "LitKicks", I'm facing my first test of my ideals. How should I react?
The organization is apparently the Jewish Community Center of London, and they're putting on some good events including a reading by Howard Jacobson, who is the kind of writer we like here at Litkicks (he's also a current Booker Prize nominee for his new novel J).
If you're on the east coast of the USA these days, you might catch a painted bus called Furthur running up and down the seaboard. This colorful vehicle is named after the original Furthur that took novelist Ken Kesey, Neal Cassady, Ken Babbs and the rest of the Merry Pranksters across the country on a famous road trip 50 years ago. I caught up with Zane Kesey and the giant rolling metaphor he designed for his father when they finally rolled into Brooklyn, New York last month.
(Literary Kicks is twenty years old today. This fact has left me speechless, so I asked Jamelah Earle to send some retrospective thoughts. -- Levi)
When I was 16, I was on my high school forensics team. This was not in any way related to anything you might see on an episode of CSI, but instead was competitive speech and dramatic performance. That year, I had chosen poetry as my event, and I was looking for a poem to perform. The trick with forensics events, I had learned in a previous season, when I did storytelling with Alexander and the Terrible, Horrible, No Good, Very Bad Day, was to come up with something that nobody else would be performing — Alexander was a popular piece, and more than one time I would be in a competition round with another person doing the same story. So, when I switched to poetry, I was determined to come up with something nobody else would do.
My coach gave me a copy of Allen Ginsberg's Howl and Other Poems to see if anything in it would work for me. I eventually ended up choosing the poem "America" and I had a great season. I think I would've made it to the state championships that year, had I not gotten laryngitis so severely that I was rendered essentially mute during regionals. Alas, I'll never know, so I can just imagine that I would've gone all the way. Maybe I could have even won the chance to tell my hometown newspaper how to spell "Allen Ginsberg".
Sometimes shuffle mode on my iPhone really comes through for me. I was having a pretty bad day yesterday, and it found a song that cheered me up.
I was having a bad day for a few different reasons. The biggest is something that's been going on for a while now. An older member of my family -- a person who I really care about and have always had a great relationship with -- has been stricken with a cruel health problem, and is suffering a lot.
This kind of ordeal puts other problems in a certain perspective, but not necessarily a perspective that's helpful. For instance, I've been looking forward to celebrating the 20th anniversary of this website on July 23rd, but I've also been feeling very frustrated about my progress as a writer. During those poisonous moments in which everything on Earth seems pointless, I can only see this blog as a symptom of my chronic need to be idiosyncratic at any cost, and thus as a bizarre monument to my own lifelong failure.
Well, okay. Failure's been in the air, and not just for me: failure to communicate, failure to reach, failure to deliver. Failure seems to have been trending lately, at least in my corner of the universe. An insane incident occurred yesterday involving one of my favorite people in the literary world, a person who must have been soaking in his own psychological poisons during the same moments that I was too. Everything turned out okay, but for a few moments the incident got frightening, and after it was over it all seemed like a sign of a sort of general despair among many of my writer friends, all of whom have moments in which we feel desperately starved for connection and validation. Another friend who was caught in this whirlwind summarized her takeaway from yesterday's public drama with this accurate tweet:
I used to go to BookExpo in New York City every Spring. It was a grand event, a joyous social swirl of writers and publishers and editors and bloggers and critics. But, regretfully, I stopped going to BookExpo a couple of years ago. Some friends tell me the event has shrunk and that I'm not missing much. But I know I'm missing a lot whenever I get a chance to hang out with book people.
This year, I strangely found myself for the first time at DrupalCon, an amazing gathering of web development technology gurus, experts and dabblers who use the very powerful Drupal open source platform to build websites. I've been a Drupal developer since 2009, and I ported this blog from WordPress to Drupal in 2010. Drupal has been both my day job (currently, an exciting new federal government health information and community website launching in October) and my personal obsession. This is my first DrupalCon, my first chance to hang around with thousands of other developers who are as obsessed as I am.
Sometimes I find it hard to believe that my blog is almost twenty years old. Well, sometimes I also find it hard to believe that my youngest daughter is almost twenty years old. (They were born the same year, and they both grew up so fast.)
Literary Kicks will turn twenty on July 23, 2014. I have no idea how I'm going to celebrate, but I might keep it low key. For the 5th birthday in 1999, I threw a big party at the Bitter End nightclub in Greenwich Village. For the 10th birthday in 2004, I hosted an all-night online poetry jam with Caryn and Jamelah during which I remember falling asleep at least once. For the 20th, I might just stay home and feed the cats.
This week, Bill Nye the Science Guy and Ken Ham of the Creation Museum in Kentucky spent two and a half hours debating the origin of the universe in a well-publicized update of the Scopes Trial of 1920. I could only endure the tedium of the YouTube broadcast for about a half hour, but even though I didn't watch the whole thing I am pleased by the friendly gesture this event represents. Sometimes a willingness to meet in open debate can be more significant than any actual arguments contained within.
Amidst the social media conversations following the debate, I was also impressed by a page of photos of regular people holding up papers expressing questions or ideas supporting the creationist point of view. I don't get the logic behind some of these expressions -- and yet they all appear to be sincere, and a few may even be meaningful. In the photo above, a woman's comparison of the idea of God and the idea of the Big Band strikes a chord. It is true that the idea of the Big Bang as constantly described by physics teachers and Morgan Freeman is as ultimately inexorable as the traditional idea of God.
He was the oldest of the major Beat Generation writers. That's why William S. Burroughs is today the first Beat writer to celebrate a centennial.
Burroughs was born on February 5, 1914. He arrived on this planet the same year as the First World War.
Some people don't call Burroughs a Beat writer, because they prefer to think of him as a postmodern experimentalist, or a psychic investigator, or a political activist. He was those things too, but of course he was a Beat writer.