The past week was a rough ride on the literary Internet. Thursday brought the sudden death knell of HTMLGiant, a rollicking community website frequented by writers like Tao Lin, Zachary German, Megan Boyle, Noah Cicero, Marie Calloway and Blake Butler along with a wide cast of erratic contributors and scattered postmodernists. This lively website always reminded me of the fun and psychotic days when Litkicks ran message boards.
The good news is, HTMLGiant is staying alive through October for one last gasp, promising to unleash a series of farewell blog posts "because if there’s anything this website deserves it’s an uncontrolled flameout". That's the way to do it, HTMLGiant!
Nothing I can write today will be as relevant as an event that took place in New York City and various other places around the world today: the biggest climate march in history, attended by over 300,000 people. The Huffington Post has the scoop.
The specific policy mission of this march is to deliver a message of solidarity before the beginning of the United Nations Climate Summit. This large group of concerned human beings seems to be doing a great job of making its voice heard.
It's because words are such effective tools of communication that we sometimes fail to realize how often we communicate without them. A conversation is sometimes a physical exchange. These conversations carry meaning that can only exist in the physical realm.
We signify to each other with words, with gestures, with emotional expressions. We also signify with commitments, with actions, and when this occurs (as it constantly does in our everyday lives) we are able to see that logical meaning is itself a physical thing. We can't say what we want to say without putting our bodies into it.
For example: my wife and I go to a wedding of a friend of hers who we haven't seen in a while. We both like the bride and groom a lot, and we used to enjoy hanging out with them, but tonight we barely get to talk to the marrying couple because they are so busy running around being the bride and groom. Still, we are glad we came to the wedding, because we are able to express something to the couple by being there. They know that we are there because we want to celebrate their marriage, and this recognition (which might not take place till weeks later when they see their wedding photos) amounts to a happy conversation that could not have been carried out if we were not there. We could have sent a card, and the card could have had many more words on it than we had a chance to speak. But the card would have expressed not more meaning but less than we expressed by being there.
Exactly 150 years today, the most grueling and relentless eight days of the Civil War in the United States of America began. These are the opening days of the Overland Campaign, in which two armies rampaged south through north-central Virginia in their final race towards Richmond, capital city of the Confederacy. They stopped frequently along the way to try to kill each other.
The Overland Campaign was recently featured in the TV series House of Cards. The crooked politician played by Kevin Spacey visits a newly dedicated (and fictional) battlefield park dedicated to the Overland Campaign, and meets a reenactor costumed as his own doomed Rebel ancestor. In real life, the park is known as the Fredericksburg and Spotsylvania National Battlefield, and despite the House of Cards fabrication, it's not dedicated just to the Overland Campaign: there were so many fights in this region that Wilderness and Spotsylvania have to share space with Fredericksburg and Chancellorsville, where major battles were fought in 1862 and 1963.
Those were also critical and immense conflagrations, but Civil War experts know the Overland Campaign was the greatest match of them all, because it was in these battles -- Wilderness, Spotsylvania, North Anna, Yellow Tavern, Cold Harbor -- that General Ulysses S. Grant faced General Robert E. Lee directly for the first time. This was the big one, the championship between the two top teams. This was the Finals, and it was a hell of a fight.
I've been trying to philosophize about the Ukranian crisis in real time. This is always hazardous. Last Saturday morning, February 22, I invited readers to look at six images representing the history of Ukraine and to suggest three more that help fill out the story we are trying to understand. The idea was to try to puzzle out new insights about the enigmatic and confusing geopolitics of this Eastern European country, which has endured terrible conflicts and sufferings for centuries.
I thought this would be a worthy Zen type of philosophical/political exercise -- but I felt the sand of the mandala falling out under me when, just as I hit "publish" on my blog post, news blared out all over social media that the embattled Russian-sponsored President had suddenly fled the city of Kiev. This meant that the violent Kiev uprisings of the past weeks had turned into a successful revolution. Huge news! But I regretted having published my blog post about Ukraine's history on this hopeful and joyous day in Kiev and around the world. My blog post had a gloomy and angry tone that did not match the jubilation I even felt myself as I watched reports of Ukranian citizens celebrating on the streets of Kiev.
Even so, my intrepid and erstwhile Litkicks commenters came through in the clutch and answered my challenge with several great sets of images (see the comments on last weekend's post to enjoy the selections). I was glad that Subject Sigma remembered the nuclear accident at Chernobyl, and also shared the image of a beautiful breadbasket Ukranian field that is at the top of this page.
Maggie Estep, the charismatic and accessible spoken word poet and author, has suddenly died of a heart attack. She was 50 years old.
Maggie Estep was a big part of the slam poetry scene that emerged from Chicago and New York City in the 1980s and briefly flared into pop culture via MTV in the early 1990s. Her early published works include records like Love Is A Dog From Hell. Later, she published novels including Alice Fantastic and the Ruby Murphy mystery series.
This week, Bill Nye the Science Guy and Ken Ham of the Creation Museum in Kentucky spent two and a half hours debating the origin of the universe in a well-publicized update of the Scopes Trial of 1920. I could only endure the tedium of the YouTube broadcast for about a half hour, but even though I didn't watch the whole thing I am pleased by the friendly gesture this event represents. Sometimes a willingness to meet in open debate can be more significant than any actual arguments contained within.
Amidst the social media conversations following the debate, I was also impressed by a page of photos of regular people holding up papers expressing questions or ideas supporting the creationist point of view. I don't get the logic behind some of these expressions -- and yet they all appear to be sincere, and a few may even be meaningful. In the photo above, a woman's comparison of the idea of God and the idea of the Big Band strikes a chord. It is true that the idea of the Big Bang as constantly described by physics teachers and Morgan Freeman is as ultimately inexorable as the traditional idea of God.
It's great that Edward Snowden got us all talking about privacy. But are we saying intelligent things about it yet?
The most common reaction to revelations of federal invasions of individual privacy is to visualize a federal government as an "other" looking at "us". But of course most of us who live in democratic nations elect, empower and embody our governments, and are therefore spying on ourselves. And few citizens of democratic governments today seem willing to bear the results of not spying on ourselves.
If there were a referendum in the United States of America right now for a potential law to prohibit government surveillance designed to prevent terrorist attacks, it would probably be rejected by voters who do not wish to allow that level of risk. The "other" that supports USA federal surveillance is not a remote body of power-hungry elites in Washington DC -- it is us, the voting public.
Amiri Baraka, a seminal Beat poet, angry playwright, revolutionary activist and scrappy indie publisher from Newark, New Jersey has died. The Allen Ginsberg Project blog has the scoop. Here's a Litkicks article about Amiri Baraka by Jamelah Earle from 2003.
I hope my pick for the most significant book of 2013 will surprise you. It surprises me. For one thing, it's not a book. It wasn't published in 2013. And I've never mentioned it on Litkicks before.
Before I explain, here's a quick wrap-up of my year of reading and blogging. There was a lot of philosophy, history and politics. Early in 2013, I got into Jacques Derrida. This was for me a belated discovery (isn't Derrida supposed to be sophomoric? I'm no sophomore) but a happy one. In July I took a trip to Gettysburg, Pennsylvania for the 150th anniversary of that amazing Civil War battle, and then went back home to begin obsessively reading a whole lot of books about the American Civil War. I'm planning to write more about the literary legacy of the Civil War as the battlefield sesquicentennials of Wilderness and Spotsylvania loom. Continuing my weird march through what may seem to my readers to be randomly assorted moments (ahh, but they're not!) in American history, I also read and blogged extensively about disgraced Vice-President Spiro Agnew this year.
I wrote a lot about music and film in 2013. The death of Lou Reed, one of my all time favorite singer-songwriters, inspired in me a vast blast of sudden blogging, which was exhausting. As I mentioned in a comment to one of the above posts, I sure hope Bob Dylan has a good doctor, because I don't want to blog that much again anytime soon. I also continued my series of articles about musical memoirs, because it pleases me to do so, and I hope it pleases some of you too. The next installment in the "Great Lost Rock Memoir" series drops in January.