I observed a strange reaction among my friends -- especially my fellow liberals -- when a new insurgent group calling itself "The Islamic State in Iraq and Syria" began capturing towns and small cities in war-torn Iraq.
There's really nothing new about this insurgent group, which represents the same Sunni coalition that lost power with the fall of Saddam Hussein and has been trying to get it back ever since. But all of a sudden, several of my friends were up in arms about the insurgency. Why? Because they're fundamentalists.
Indeed, the new insurgency is using Islamic fundamentalism as a way to gain support (and frighten Brits and Americans). It's a smart strategic move: calls to religion have always been useful recruiting tools in time of war. But what amazes me is that some of my American friends are more offended by the fact that the new insurgents are religious than by the fact that they are rampaging through towns murdering political opponents with their families.
The atrocities are perfectly acceptable, apparently ... as long as they don't start bringing sharia into it.
I’m still taking a break from the lengthy weekend posts. What I’ve got for you today is three enigmatic quotes.
”An ant can look up at you, too, and even threaten you with its arms. Of course, my dog does not know I am human, he sees me as dog, though I do not leap up at a fence. I am a strong dog. But I do not leave my mouth hanging open when I walk along. Even on a hot day, I do not leave my tongue hanging out. But I bark at him: "No! No!”” — Lydis Davis, Varieties of Disturbance
I recently listed Ludwig Wittgenstein as one of three essential philosophers who can add surprising clarity and vital new perspective to frustrating debates about ethics, political ideology and the practical problems of our planet. What’s most essential about Wittgenstein is not the conclusions he has drawn about ethics and politics. It's the dynamic and truthful way of thinking that his method represents.
Ludwig Wittgenstein is unique among the great Western philosophers. He is the only major thinker to have become famous as a philosopher twice: first for laying out a belief system and then for returning to destroy his earlier work. Indeed, the remarkable fact that he spent the second (and greater) half of his career refuting everything he achieved in the first half is itself an example of the sublime conductivity of his thought process. It takes a hell of an open mind to do that. And a whole lot of courage.
"The philosopher's treatment of a question is like the treatment of an illness." -- Ludwig Wittgenstein
Last weekend I proposed that three well-known modern philosophers hold a key to great discoveries that can help cure a horrific disease that currently plagues our planet. The three philosophers are Ludwig Wittgenstein, William James and Carl Jung, and the illness they can help address is the one whimsically illustrated in the image above: our deeply ingrained militarism.
Of course I know this illustration is kitschy and ridiculous, which is exactly why I’m using it. I'm hoping it will bring a smile, because arguments about militarism and pacifism tend to be dreadfully serious and often angry, which then discourages and dissuades us from discussing the problem at all. This blocks us from directly addressing a surreal malady, a curable condition that rages freely around us, spreading misery, destroying lives and resources, stoking the fires of racism and ethnic hatred, empowering genocidal maniacs, preventing friendly open commerce and discourse around the world.
If we intend to fight the plague of militarism, we must do it with a loving smile, and without hatred or judgement. World peace is both possible and probable, but we’ll never achieve it by treating deeply committed militarists and guerrophiles as our enemy. Instead, we must cure militarism and guerrophilia as if it were a disease. Ludwig Wittgenstein, William James and Carl Jung are the three doctors (mad scientists, perhaps, but it's a madness we need to embrace) whose fresh and wonderful philosophical writings can guide us towards this goal.
I sometimes wonder if pacifism needs the kind of bedrock philosophy that more popular ideologies like conservativism and communism have.
A firm rooting in philosophy helps an ideology stand its ground firmly. I've noticed that American conservatives are very quick to cite John Locke or David Hume, along with (variously) Aristotle, St. Thomas Aquinas, Friedrich Nietzsche, Ayn Rand, Robert Nozick. I disagree with most conservative positions, but I have to admit that conservatives do a good job of constructing a consistent metaphysical, epistemological and ethical framework to support their beliefs.
Communists, likewise, are quick to cite Jean-Jacques Rousseau or Voltaire or Georg Wilhelm Friedrich Hegel along with (variously) Plato, Immanuel Kant, Jean-Paul Sartre, Jacques Derrida, Slavoj Zizek. The original Communist Karl Marx talked a good metaphysical game, and the tendency to wax philosophical has continued to inform Marxist culture.
Who are the go-to philosophers for pacifists? We don't seem to have any.
I recently heard about a British Library project to reassemble and digitize a 17th century illustrated edition of the Ramayana, a classical Hindu epic. This sounds pretty cool, and it reminded me of a different edition of the Ramayana that I once owned myself.
This was just a cheap pocket paperback, a novelization of the great poem, published alongside a similar edition of the other great Hindu epic, the Mahabharata. These two books, the life work of a young American translator named William Buck, were designed to be accessible and enjoyable versions of their extremely long and complex originals. Of course the great epic poems had to be condensed and simplified to fit into these forms, but the popular paperbacks provide a rich reading experience that must capture at least some of the significance of their gigantic counterparts.
William Buck's Mahabharata is the one I read all the way through and remember most vividly, because it's a colorful, wise and beautiful long tale that begins with the household altercation that resulted in an elephant head being placed on the body of a boy named Ganesha, the son of Shiva, who is noted (in the story that surrounds the story) as the scribe who is writing the text:
"The people dance passionately on the earth, sanctifying it and becoming one with it."
-- Igor Stravinsky
I'm sure it's a hipster affectation of mine: I try to listen to Stravinsky's The Rite of Spring every year when the Spring Equinox comes around. It's a hipster affectation because I don't really know much about classical music, and I can't deny that what thrills me most about this music is not the work itself but the knowledge that it caused a riot in Paris on May 29, 1913 when it was first performed. A riot in an theatre -- that's my idea of a rite of Spring.
The music sounds primal today, though it's hard to imagine how it could have caused a riot. In fact, it was not the music as much as the ballet, daringly choreographed by Vaslav Nijinsky, that caused the sensation. Le Sacre du Printemps was a Russian debut in France, and as such a symbolic meeting between two nations that would one year later go to war together against Germany, Austria-Hungary and Turkey.
While I've heard the music often, I've never seen the work performed, and I've only just become aware of a Joffrey Ballet video that presents Stravinsky's music and Nijinsky's ballet in context -- Pictures of Pagan Russia is the subtitle -- so that we can get a better idea of what the whole sensation was about. Here's the first of three parts; you can click through from this one to the next two.
What can we discover by analyzing the worst atrocities of modern history together, looking for patterns and common features? A whole lot, it turns out -- and we're just getting started.
Last weekend we discussed the surprising fact that every society will always consider itself highly moral and principled, even as this society may engage in vile activities. We called this the Ashley Wilkes Principle (named after the noble, brainy Confederate hero of Margaret Mitchell's Gone With The Wind). This week I'd like to examine another notion that appears to be surprising and self-evident at the same time.
A recent book called The Internal Enemy: Slavery and War in Virginia, 1772-1832 by the historian Alan Taylor drives home a single point: during the War of 1812, when the British Navy invaded and occupied Virginia's Chesapeake coastline, an event occurred that badly shook Virginia's well-entrenched plantation society. Slaves began to realize that they could escape bondage by reaching the British ships that lay ashore. Once they escaped, they would conspire with their British rescuers and help them invade their own plantations and villages to retrieve their families and free more slaves.
This week, Bill Nye the Science Guy and Ken Ham of the Creation Museum in Kentucky spent two and a half hours debating the origin of the universe in a well-publicized update of the Scopes Trial of 1920. I could only endure the tedium of the YouTube broadcast for about a half hour, but even though I didn't watch the whole thing I am pleased by the friendly gesture this event represents. Sometimes a willingness to meet in open debate can be more significant than any actual arguments contained within.
Amidst the social media conversations following the debate, I was also impressed by a page of photos of regular people holding up papers expressing questions or ideas supporting the creationist point of view. I don't get the logic behind some of these expressions -- and yet they all appear to be sincere, and a few may even be meaningful. In the photo above, a woman's comparison of the idea of God and the idea of the Big Band strikes a chord. It is true that the idea of the Big Bang as constantly described by physics teachers and Morgan Freeman is as ultimately inexorable as the traditional idea of God.
We need more movies about philosophers. I can only think of very few examples to mention, but David Cronenberg's A Dangerous Method, a 2011 film about the rivalry between early psychologists Sigmund Freud and Carl Jung, shows that the format can work. This is an intelligent and straightforward narrative work, based on Christopher Hampton's play The Talking Cure which was itself based on the book A Most Dangerous Method: The Story of Jung, Freud, and Sabina Spielrein by John Kerr.
A Dangerous Method stars Michael Fassbender as Carl Jung, Viggo Mortensen as Sigmund Freud, and Keira Knightley as a severely disturbed young psychoanalytic patient named Sabina Spielrein who would eventually defeat her demons and become Jung's illicit lover, Jung and Freud's intellectual partner, and an innovative psychologist in her own right.